Image as gesture: notes on Aernout Mik’s Communitas and the modern political film

Walking through Aernout Mik’s exhibition Communitas, dwelling in the encounter with the people and situations in front of and on the screens, one is struck by the cinematic and political qualities of the gestures in these powerful video installations. In this article some film-philosophical reflections on the silent performative force of the image as gesture and as politics will be explored.

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Cultural change in Poland. The end of conservative consensus or a fascist future?

Comments that appeared in the public sphere after the autumn elections in Poland didn’t take into account an important cultural dimension of the elections. The same can be said about the articles on the upcoming presidential elections in May 2020. People writing about Polish politics seem to look only at surveys or analyze performances of […]

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Transformation. Memory and Matter in Early Polish Capitalism

The process of political and economic transformation which started in Poland in the late eighties is narrated in terms of regaining freedom and establishing democracy. The end of the totalitarian regime also brought the end of censorship and political persecution, the beginning of the free market, and the free flow of commodities. However, on the […]

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